Marvel's heroes team up to combat Thanos in first 'Avengers: Infinity War' trailer

In 2008, Marvel Studios began their connected universe with the first Iron Man film. After Samuel L. Jackson's Nick Fury met with Robert Downey Jr's Tony Stark, letting him know "you've become part of a bigger universe," we have gone on many adventures, seen classic heroes come to life, and battles waged against friends and foes from Earth to the outer reaches of space. 10 years of adventures and excitement. Marvel has created a decade of heroes.

Now, we see the culmination of their work in the next installment in the Avengers ensemble saga as seeds that were laid after the first Avengers film in 2012 will chaotically bloom in 2018's Avengers: Infinity War. 

When we last left Earth's Mightest Heroes, they were quarreling with each other over the policing of their activities. Captain America (Chris Evans) and Black Widow (Scarlett Johansson) went into hiding, Iron Man (Robert Downey Jr) has taken a young Spider-Man/Peter Parker (Tom Holland) under his wing. Thor (Chris Hemsworth) and Hulk (Mark Ruffalo), unaware of their former comrades issues, enjoyed their own off-world adventure. We were also introduced to a new hero, King T'Challa/Black Panther (Chadwick Boseman) of the hidden African country of Wakanda.

In the new trailer for Avengers: Infinity War, the advanced, secretive nation of Wakanda emerges from isolation in order to save a world that has otherwise viewed them as a threat.

We catch up with our other heroes such as Scarlet Witch (Elizabeth Olsen) and Vision (Paul Bettany) living together and Bruce Banner crashing in to meet Doctor Strange (Benedict Cumberbatch) and librarian-warrior, Wong (Benedict Wong). But this trailer gives us the best first look at the MCU's Big Bad, Thanos (played and voiced by Josh Brolin). The purple Mad God is menacing and all powerful as he collects the infinity stones and beats down heroes such as Iron Man and Spider-Man.

Heroes such as battle-weary Captain America, a humbled Iron Man, a more human-looking Vision, and a Thor perplexed to be fighting alongside a talking teenage tree and a fast-talking raccoon are some of the dozens of Marvel heroes who are joining forces to fight the cosmic tyrant during the May 4 film.

According to the trailer, most of these heroes will stand together in the fields outside Wakanda's capital to make a stand and defend the Earth. It goes to show that those who have quarreled in the past will find common ground when an even greater threat looms.

I personally cannot wait until this decade of heroes culminates into what's to be an action-packed, emotional adventure. Avengers: Infinity War arrives on May 4, 2018.

'Justice League' is a fun and entertaining, but flawed, adventure

As a fan of superheroes, there has never been a better time to be alive than right now. From Netflix and Hulu to big budget films, our heroes are coming off the glossy pages of comics and becoming flesh and blood. The one type of superhero films fans love are the ensemble team-ups. The best example to date is 2012's Marvel's The Avengers. After the solo film build-up of the main players, fans were pleased to see Earth's Mightest Heroes come together to defeat an alien threat.

Unfortunately, DC Films has stumbled out of the gates with their films; Dawn of Justice most notably. Despite this, the build to the Justice League was completely underway. After seeing the success of Wonder Woman earlier this summer, my hope was renewed for the team up. And DC delivered with an exciting ensemble film years in the making, but it still had its fair share of troubles.

Picking up months after the events of Dawn of Justice, the world is in mourning after the death of Superman (Henry Cavill) and plunged into chaos. Batman (Ben Affleck) and Wonder Woman (Gal Gadot) do what they can on their own to honor his memory. When an interdimensional threat arrives on Earth in the form of Steppenwolf (Ciaran Hinds), the amazon princess and the caped crusader seek out others with abilities to join forces with them and save the world.

The film begins in Gotham City with Batman fully back on duty, but encountering an alien scout  while on patrol. Meanwhile, Wonder Woman took down a terrorist group in London. Knowing the upcoming threat can't be defeated alone, Bruce Wayne tracks down the aquatic swimmer, Arthur Curry (Jason Momoa) and quirky Central City speedster Barry Allen (Ezra Miller) to recruit them. Diana encounters half-man, half-machine Victor Stone (Ray Fisher). Like Batman and Wonder Woman before, they are hesitant to fight, whether by choice or lack of experience. Once they encounter the gigantic monster-warrior, who is menacing with his axe, but also cliche with his lines, the five do their best to stop the beast. But they know it will require more help (I don't think I have to go further into that). In the end, what mattered is that the hope was back in this universe.

Despite the short run time of 2 hours, it crams in a lot of action backed by a thin storyline. Like with Dawn of Justice and Suicide Squad before it, this movie felt like too many hands were touching it. From director Zack Snyder to Joss Whedon, who finished up some rewrite work, and DC Films leader Geoff Johns, the movie just felt messed with. The editing could have been done better and I was hoping to have a longer run time in order to spend time with the new heroes we were being introduced to, especially The Flash and Aquaman. While some fans depend on comic book knowledge to understand these characters, it would have been more fair to them and the movie to expand their individual worlds as this movie expands the DC universe.

All the actors did a solid job with the superhero characters, understanding their motivations and how to be a hero. The new additions to this universe fit nicely, especially the performance of Momoa of Aquaman. He stole each scene he was in as the ripped, aggressive, and fun-loving Atlantian. It was obvious that Momoa had fun in each scene, erasing Aquaman's history as the "useless character" of the group. Ben Affleck gave what I felt was a half-hearted performance, despite revealing a deeper pain in Bruce as the billionaire was envious of the life Clark had created for himself as a man and a hero, but also the weight of guilt of his end. Ezra Miller took a little while to get used to as the Flash, especially given the success of the CW television series, but he fulfilled the comic relief as the team's youngest member. The chemistry of the characters was brilliant to watch.

Overall, the long awaited team up was worth the wait, but I can't say that I absolutely love this movie. Despite the flaws in story, editing, and special effects, the movie didn't have many slow moments and kept the audience in the action. The iconic shot of the Justice League near the end was epic. Two post-credits scenes sets up the future of this universe, making everyone eager for what's to come. Like Dawn of Justice, it's best to go out and form your own opinion of the film.

A perfect balance of humor and action makes ‘Thor: Ragnarok’ a fun ride

Out of all the characters to grace the silver screen from Marvel Studios, I’ve always seen Thor has the weakest of the solo trilogies. The origin story in Phase One was okay, but not as strong as the others in that phase. Thor: The Dark World was not terrible, but possibly the weakest out of ALL the entries in the Marvel Cinematic Universe (and that says a lot, according to Rotten Tomatoes and the fresh score that movie still holds).

Entering Phase Three, we didn’t know what to expect from the God of Thunder in his third outing, his first appearance since Avengers: Age of Ultron. With fresh director, Taika Waititi, at the helm, fans were gifted with a wild, colorful adventure that possibly sets the stage for the future of the MCU.

While the Civil War raged on Earth, what was one of the original Avengers doing? Thor (Chris Hemsworth) was off on his own adventure to discover the purpose of the mythical infinity stones that has been the focal point of the Marvel Cinematic Universe since the first Avengers film. After he returns to Asgard and finds how much has changed, including a missing Oden (Anthony Hopkins), Thor reluctantly teams up with his adopted and morally challenged brother, Loki (Tom Hiddleston) to find their father. With some mystical help on Earth, the Asgardians bond with their father one last time before his unfortunate departure. The all-father's leaving opens the door for a dark force to arise: Hela (Cate Blanchett), the Goddess of Death.

Quickly dispatching of Thor, he lands on Sakkar, an intergalactic dump of a planet. Captured by hunters working for the eccentric Grandmaster, played hilariously by Jeff Goldblum, Thor must fight for his life in the gladiatorial arena and escape to prevent the destruction of Asgard in the prophesied Ragnarok. The fight won't be easy as he comes face-to-face with Grandmaster's champion and Hulk's former ally, the Hulk (Mark Ruffalo).

Thor has always been the more serious and Shakespearean of all the heroes, but audiences learned something last summer during the box-office bomb, Ghostbusters: Chris Hemsworth has serious comedy chops. As easily as he flexed his physical muscles in this film, Hemsworth gave his best performance as the God of Thunder by not taking himself seriously and making the audience laugh along with him. Tom Hiddleston and the rest of the cast followed suit as they were quick with the humor as the action came along with it. The evolution of the Hulk began to take shape in this film as fans found out what the green guy has been up to in the past two years. If we aren't going to get another solo Hulk movie (thanks, Universal), he's definitely worthy of a sidekick role. Even then, he still had wonderful moments. From his full on conversations with Thor to wearing Tony Stark's close as the scrawny Dr. Banner, Mark Ruffalo gave fans another solid performance as the Hulk. My one regret with the characters was that we didn't get enough time with Hela. Cate Blanchett played one of the most dangerous and threatening villains the MCU has had for a long time. Truly menacing and filled with vengeance, Hela was a force to be reckoned with. One performance that I can't forget to mention that I wish we had more time with was Tessa Thompson's Valkyrie. Beautiful and able to handle herself in a fight, this bounty hunter wasn't waiting for Thor to be a hero and save her from any predicaments. Valkyrie was tough, but hiding from her past and didn't join the fight until a helpful nudge from the lost Asgardian.

Director Taika Waititi gave us a colorful and funny balance of humor and action, taking a page from Guardians of the Galaxy by moving away from the shades of gray that were in the previous Thor outings and giving fans a splash of color needed in the world of this pillar of the MCU.  Thor's arc in this film was the most exciting as he was broken down but built back up to discover his true power. It's a hero's journey that this original Avenger needed to keep him fresh for when he reunites with Earth's Mightest Heroes next Summer.  While there were a few things you could find to pick at over the film, Thor: Ragnarok was funny, exciting, and all around fun throughout its two hour, ten minute run time. Not only did it set a new standard for future Marvel films, it set the stage for next Summer's Avengers: Infinity War.

Wakanda comes to life in new 'Black Panther' trailer

Hello again, readers! In case that you missed Marvel's quiet drop last Monday, you missed something amazing. With the impending release of Thor's third solo adventure in two weeks, Marvel released the first full trailer for its most anticipated solo release in years with Black Panther. The first teaser laid the groundwork for the characters in the Black Panther's world and his enemies that he must face. The first full trailer expands that world.

Picking up after the events of Captain America: Civil War, newly crowned King T'Challa (Chadwick Boseman) returns home to Wakanda. He soon finds his sovereignty challenged by factions within his own country. When two enemies conspire to bring down the kingdom, T'Challa must team up, as the Black Panther, with CIA agent Everett Ross (Martin Freeman) and members of the Dora Milaje - Wakanda's Special Forces - to prevent a world war. 

We finally get more of Wakanda, hidden behind the disguise of force fields, and the expansive city. Angela Bassett finally appears as T'Challa's mother, Ramonda, informing her son that it is his time to rule. T'Challa seems to be at odds on what kind of king he wants to be. As he learns more about the heritage of mantle he acquired (including an assortment of Black Panther suits, especially the nanosuit at the end!), Michael B. Jordan's villain, Erik Killmonger, seeks to overthrow T'Challa and make Wakanda into a nation under his own ideals. He'll have help from Andy Serkis' Ulysses Klawe (who finally gets to use a new hand) to fulfill his dream. 

We also get a glimpse into a special trial that T'Challa must pass as he encounters a black panther, resting in a tree during a beautiful, purple background. We do not know if it is to officially be recognized as Black Panther or King of Wakanda, but anyone who has read the comics knows about these trials. This all-star cast also features The Walking Dead's Danai Gurira, Lupita Nyong'o, and Forest Whitaker. 

And check out this amazing new poster!

The revolution will be televised when Black Panther strikes theaters on February 16, 2018. 

'The Last Jedi' final trailer shows fear and a galaxy in peril

After months of waiting, the final trailer for The Last Jedi dropped last night during the halftime of ESPN's Monday Night Football. There was a lot I wanted from this trailer before I saw it; I wanted to hear lines from Luke, more about the worlds we would explore, and how Rey's training would affect her. Without further ado, here is the video for the final trailer.

Picking up where we left off in The Force Awakens, Rey (Daisy Ridley) continues to take steps into a larger world as she seeks an isolated Luke Skywalker (Mark Hamill) while Kylo Ren (Adam Driver) and the First Order regroup after their defeat in this next chapter of the saga.

Director Rian Johnson has obviously taken this franchise into a new direction. While there are echoes of the Empire Strikes Back, it's obvious that this film will be the darkest we've seen this saga go into. We finally hear lines from Luke Skywalker as he reluctantly takes the former scavenger under his wing, but he's filled with fear as he sees her raw, untamed power. It's obvious that when he found the same power in Kylo and saw what it can do, it scares him.

We get a look into Kylo Ren rebounding with anger and getting into his new TIE Silencer, giving us a glimpse of the epic space battles we have come to know and love about this universe. The conflict in the young Dark Jedi is apparent when he seemingly has to decide on killing his own mother, General Leia (Carrie Fisher, in her final film performance). Chewbacca and new creatures also appear. Not one to be left out, Finn (John Boyega) gets into action as he faces his former Stormtrooper commander, Captain Phasma (Gwendoline Christie).

It's obvious that the First Order is returning in full force and with vengeance as there doesn't appear to be much hope for the Resistance and from Luke's resistance in training Rey to control her abilities. But, if the once great Jedi Master can not help Rey, who will? Possibly Kylo Ren himself? (The end of the preview definitely lays that thought into the minds of fans. We're definitely asking more questions than answers from this trailer.

Go on, watch it more than once and try to analyze this trailer. I've done it enough and, seriously, we still have two months to think about this trailer.

Star Wars: The Last Jedi blasts into theaters on December 15.

Hope and Optimism highlight final 'Justice League' trailer

Throughout the current DC Comics film universe, the Zack Snyder-influenced film has been action-packed and honored these comic book legends. One thing that was constant was the bleak, grey tone with the heroes providing the light in the darkness. After the criticism of Batman v Superman: Dawn of Justice, a shift of tone was needed to ensure the survival of this universe. With Wonder Woman critical success earlier this year, it's safe to assume that DC has seen the light.

While the first trailer from San Diego Comic-Con guaranteed the action and the individual heroes uniting to fight a common enemy, this final trailer continues that promise, but also taps into the emotions behind the film.

The new footage features the return of Superman (Henry Cavill), even though it seems to be in a dream sequence with Lois Lane (Amy Adams). Included are new glimpses of epic action and, surprisingly, a couple amusing dialogue exchange between the heroes. This may (or may not) show new director Joss Whedon's influence. Whedon took over the remaining directorial duties after Zack Snyder left to attend to a family issue.

The biggest question for this new trailer would be whether or not fans would be able to get a sense of Whedon's fingerprints. While its unknown what precisely is firmly from Whedon here, the new trailer is a tone shift from the San Diego Comic-Con trailer. Following a cover of David Bowie's "Heroes, we see a flashback opening between Lois and Superman along with a collection of scenes as our heroes unite along with the damage that their enemies could inflict upon the world. We're also gifted a few quippy exchanges, and even Wonder Woman (Gal Gadot) giving a wry smile.

This superhero mashup also includes Batman (Ben Affleck), along with Wonder Woman, introducing The Flash (Ezra Miller), Aquaman (Jason Momoa), and Cyborg (Ray Fisher) as they unite to fight a new threat. The film also stars Jeremy Irons, Billy Crudup, Robin Wright, Connie Nielsen, Amber Heard, Willem Dafoe, J.K. Simmons, and Ciaran Hinds.

Go All In when Justice League opens November 17.

Not really terrifying, but an emotionally affecting story powers 'It'

I'll admit this right now to my readers: Clowns are not my favorite thing. I'm not afraid of them but creepy clowns scare me (Thanks a lot, American Horror Story: Cult). So when I saw that Stephen King's It was getting a remake, I''ll admit that I wasn't going to be flocking to the doors of my favorite theater to see it. Horror films just aren't my thing. But after hearing some friends' opinions on the film, ranging from 'not scary' to 'excellent' to 'terrible', what did I have to lose?

It tells the story of seven children in Derry, Maine, who are terrorized by a sewer-dwelling, shapeshifting demon, taking the appearance of a clown. The kids must band together to not only kill the evil clown, but save all the disappearing children.

This movie is not the typical horror story where the clown is the bad guy; in actuality, the teenagers and adults are a bigger concern as the movie goes on. Each of the kids are bullied in some way, shape, or form. The boys: Bill, Richie, Eddie, Stan, are friends with their own family issues; whether that be parental neglect, overprotective moms, or teenage bullies, were bonded together by their inability to fit in. "New kid" Ben joined the group after he was bullied for being fat and Beverly Marsh, a girl ostracized over rumors of promiscuity and avoiding her abusive father, joined up later in the film and they formed "The Losers Club."

Watching this movie, I was reminded of the humor and energy of children actors. Child actors haven't had a spotlight on them since the 80's and 90's of classic Spielberg directed or produced films. The performances of these children definitely carried the heart and humor of this story, no matter how dark it got for the characters. Bill Skarsgard was excellent as Pennywise The Dancing Clown, deserving the praise he has received from critics. He was creepy and entertaining, someone that you didn't want to see in your nightmares. Skarsgard definitely honored the original idea of Pennywise from the twisted genius of Stephen King.

There wasn't really any jumping scary moments that today's horror movies, but the moments that get to you are the moments when an adolescent character is separated from their friends, all alone in the cellar or the bathroom or the alley or an office, and something they have long feared comes to 'life' in a particular fashion, confirming their worse sense of dread and doom that has come for them. Those are the moments that really sends a chill racing down your spine as you worry if this character will make it through. Director Andy Muschietti created an excellently crafted and effective suspense pieces that will definitely have him on the high list of the next horror movie. There is a reason this movie is the highest grossing horror film in history and I recommend that you check out this entertaining and emotionally effective film. 

Alicia Vikander brings grounded and fresh take on Lara Croft in first 'Tomb Raider' trailer

In 2001, video game adventurer Lara Croft was brought to life. At that time, the only woman that could fill out her curvaceous pixels was rising superstar Angelina Jolie. Jolie starred in two live-action films as the Tomb Raider but her adventures have not graced the silver screen since 2003. The Tomb Raider games have had a resurgence in popularity in a reboot that shows Lara Croft's origins before becoming the legend we all know and love. 

That sounds like a great place to reboot the film series, right?

 

Alicia Vikander takes over the role as a young Lara Croft, the fiercely independent daughter of a missing adventurer. She must push herself beyond her limits when she finds herself on the island where her father disappeared. Based on the trailer, it looks as thought Lara is looking to rejoin the company her father founded (Batman Begins inspiration?) in order to find him. Most of the action takes place on a jungle covered island, akin to the rebooted game series. I found the rebooted game to be very grounded and enjoyable so let's hope that it translates well onto the big screen. And having an Oscar winner isn't a bad choice to play the lead role. 

Tomb Raider will come to theaters on March 16, 2018.

Jennifer Lawrence reteams with director Franis Lawrence in thriller, 'Red Sparrow'

Jennifer Lawrence's hot streak as Hollywood's sought-after actress. After successful runs in The Hunger Games franchise and the prequel X-Men movies and other projects like Passengers, Lawrence can be seen in theaters in Mother!, but fans can already look ahead to her next performance.

The Oscar winner will be reuniting with her Hunger Games director, Francis Lawrence (no relation) to bring to life a seductive femme fatale in the first Red Sparrow trailer.

Lawrence portrays Dominika Egorova, a former prima ballerina who is forced to give up her craft when her body and mind is pushed to the absolute limit and leads to a career-ending injury. As a devoted daughter to her mother and facing an uncertain future, Dominika finds herself manipulated into becoming the newest recruit for Sparrow School, a secret intelligence service that trains a person to become a Red Sparrow, a young person trained to use her body and mind as weapons. Dominika emerges as the most dangerous Sparrow of them all. Her first mission, targeting a CIA agent (Joel Edgerton), threatens to unravel the security of both nations and everyone she cares about as he tries to convince her he's the only one she can trust.

This movie is based on the book by author Jason Matthews. Mary-Louise Parker and Jeremy Irons also feature in the film.

Red Sparrow flies into theaters on March 2, 2018. Watch the first trailer and let me know what you think in the comments!

All hail the Kingsman: 'The Golden Circle' doesn't reach the first, but still provides an entertaining time.

"Manners maketh man." - Harry Hart, Kingsman: The Secret Service (2014)

From that line which began a well-choreographed bar fight, audiences realized that the first Kingsman movie was not going to be a regular spy thriller. The stylish and all around fun film, filled with innuendos, humor, and violence, became a breakout in 2014. It had to warrant a sequel based on the financial and commercial success, but the question for all sequels is if it would measure up to the original. Attending an early screening on Monday night, The Golden Circle comes close by keeping what worked in the film, but didn't quite hit the standard mark that the original set.

Kingsman: The Golden Circle continues the adventures of Eggsy Unwin (Taron Egerton), a Kingsman agent. Eggsy has been with the spy organization for a year after the events of the first film. When Poppy Adams (Julianne Moore), a global entrepreneur and criminal mastermind, uses her resources to attack all of the Kingsman, Eggsy and remaining member, Merlin (Mark Strong), uncover a secret in their "doomsday" protocol that leads them to the United States and to sister organization, Statesmen. Teaming up with members such as Ginger (Halle Berry), Tequila (Channing Tatum), Whiskey (Pedro Pascal), and Champagne (Jeff Bridges) and a returning Harry Hart (Colin Firth), they seek to stop Poppy from global domination.

How Harry was able to return after being shot in the head by Samuel L. Jackson's eccentric villain, Valentine, was explained so I didn't gripe that much about it. For those who want to see the film, I won't spoil that part for you, but safe to say that Harry is far from his old self when we catch up with him. From the opening car fight and chase scene, the sequel looked to start with all motors running to thrust the audience back into this spy filled world. It was more funnier once the Statesmen are introduced and Channing Tatum putting on his best southern accent to represent to American cowboy. This film serves as a tongue-in-cheek take on America with the Wild West-style weaponry, characters, and their bourbon distillery headquarters. It provides a hysterical exaggeration of the frontier justice warrior America often projects to the world, even though we don't all wear the hats much anymore. Where the Kingsman do everything with a bit of style and class, the Statesmen are less refined in their methods to get the job done.

While the first film is marked by its criticism of the British class system, the sequel illustrates how drug use is the great class equalizer; something that affects people of all walks of life. I won't spoil anything else beyond that point, but this film does try to vilify those who would put down drug users even though it also sends a contradictory message that people shouldn't do drugs.

Julianne Moore's cheery, '50's TV mom demeanor makes you not even think she's crazy, but once you are introduced to her, you find out that you are wrong. The ruthlessness that hides behind that '50's-era smile and attitude is somewhat scary. She grew up on Fifties nostalgia -- Grease, Happy Days, American Graffiti -- and influenced her to create "Poppy Land", her homage and monument of America's past of the Eisenhower-Elvis era.  A strong villain that you would think about giving a cup of sugar to or inviting over for coffee; the only question is who would make it out of that house. Moore gave a great, colorful performance and stealing every scene that she was in. Egerton continues to prove himself as a winning, charismatic screen presence, Colin Firth shines as he explores a new vulnerable layer of his super-spy character. Channing Tatum isn't in the film as much as you would think, but still great fun when you see him. Halle Berry's Ginger Ale is sweet, but underserved and could have been used a little more. Mark Strong, flexing his baritone-singing muscles with a rendition of "Country Roads", was comical but a strong core in this movie.  

My criticism of the film comes from the over-stylized action. I know it's what made the first film great (remember the church scene?), but I feel like the director relied too much on CGI action, especially near the final battle against their nemesis. The 141 minute runtime is also a bit troublesome. Normally, if you are having fun watching a movie, you barely notice the run time. But there are some scenes that could have been cut or this movie could have shaved off a few minutes to tighten up the story. Some sequels don't need an extensive run time. While some criticize The Secret Service for their crude, sexual ending, this film tried to atone for that with a more cheerful happy ending. There is a similar sexual but comedic scene in this movie involving a different female character, but rather than treating this woman flippantly, this results in consequences that must be dealt with as the film moves forward. It was a smart call by director Matthew Vaughn, who made sure we remained emotionally invested in these characters.

Kingsman: The Golden Circle is as cartoonish and crazy as its predecessor, but is also unafraid to demolish what it built before, especially if it services the story. Despite the runtime, having a more abundance of stars, and not matching up with the first, this film will be a joyous delight to those who loved The Secret Service as we watch Eggsy and his team meet up with their amusing counterparts.

Top Ten Upcoming Fall/Winter Films

Hello everyone! Do you feel that change in the air? The weather getting a little chilly in the morning and during the day. The wind blowing orange and maroon leaves around the grass. That's right! Fall is here and Winter is coming. And that means that a new batch of films are coming to the silver screen to entertain us as the days get colder.

The 2017 remake of It has started off the season in a big way, but luckily it will be the only time that we have to deal with creepy clowns this season. We've got returning heroes and a superpowered ensemble that is years in the making, an cultural Pixar animated flick, and another return to our favorite galaxy far, far away.

10. The Snowman - October 20

Why don't we start with a little winter this October? Based on the novel by Jo Nesbo, this crime drama stars Michael Fassbender as Detective Harry Hole as he investigates the disappearance of a woman whose pink scarf is found wrapped around an ominous-looking snowman. Looking to be inspired by the cat-and-mouse detective films of old, this thriller looks to capitalize on the resurgence of crime dramas, such as Wind River (one of the best film's I've seen this year). With a leading actor such as Fassbender, it could be a solid film before entering beginnings of Oscar season.




9. Coco - November 22

Disney/Pixar bring audiences another diverse animated film that's sure to become a classic with time. With the success of last year's animated musical, Moana, the music is sure to play in this new film. Aspiring musician Miguel dreams of becoming an accomplished musical artist like his idol, Ernesto de la Cruz. Desperate to prove himself, Miguel finds himself in the colorful Land of the Dead following a mysterious chain of events. Teaming up with charming trickster, Hector, they set off on a journey to unlock the real story behind Miguel's family history. With voice talents including Benjamin Bratt, Edward James Olmos, Gael Garcia Bernal, Gabriel Iglesias, Cheech Marin, and newcomer Anthony Gonzalez, prepare to experience a colorful blast of musical adventure.

8. Murder on the Orient Express - November 10

Speaking of a Who-dun-it, an ensemble cast comes together to bring one of author Agatha Christie's classic novel to life. Directed by Kenneth Branagh, a lavish train ride unfolds into a suspenseful mystery as one man, along with thirteen strangers, races to solve the puzzle before the murderer strikes again on the stranded train. Along with Branagh, the cast includes Johnny Depp, Daisy Ridley, Penelope Cruz, Willem Dafoe, Dame Judi Dench, Josh Gad, and Michelle Pfeiffer. Considering Branagh's success behind the camera with Shakespeare adaptations and Marvel's Thor, this film will definitely have style to go along with the drama.



7. The Mountain Between Us - October 6

What if your life depended on a stranger you had just met? That's a question that we've all had to ponder at one time or another. Luckily, films like to put this question out there and see what happens. Stranded after a tragic plane crash, two strangers (Idris Elba and Kate Winslet) must work together to survive the extreme elements of a remote snow covered mountain. When they realize help is not coming, they must embark on a perilous journey across miles of wilderness. I wasn't 100% behind this film, but the more TV spots and trailers I see, I'm convinced that I should give it a shot. Hosting two of the best actors today doesn't hurt either.



6. The Foreigner - October 13

Jackie Chan hasn't done action movies for what feels like an eternity. Well, the wait ends this fall. A humble London businessman, Quan, unearths his long buried past to seek justice when his daughter is killed in an act of terrorism. In his relentless search for the identity of the terrorists, Quan is forced into a cat-and-mouse conflict with a British government official (Pierce Brosnan), whose own past may hold clues to the identities of the elusive killers. If you haven't seen the trailer, including the most recent one, you are missing out. Even if this film isn't a box-office success, it's worth it to see 63 year-old Jackie Chan back in action once more.



5. Blade Runner 2049 - October 6

How long have fans of the cult classic been awaiting this sequel? 35 years after the original film, this long awaited sequel returns us to a colorful future that set the visual standard for how we see the future. A young blade runner, Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. This film has been kept under lock and key as far as secrets beyond this synopsis, which I think works better for them. It adds to the intrigue and the mystery. One question has to be raised though: will we see the death of another iconic Harrison Ford character?!


4. Kingsman: The Golden Circle - September 22

Put on your best suit and saddle up to journey across the pond and back. The sequel to the 2014 surprise smash hit reunites audiences with our favorite spy agency. When the Kingsman headquarters are destroyed and the world is held hostage, the remaining members journey leads them to the discovery of an allied spy organization in the US called Statesman. These two elite secret organizations must band together to defeat a ruthless common enemy in order to save the world. Returning originals Taron Egerton, Colin Firth, and Mark Strong are joined by Channing Tatum, Julianne Moore, Halle Berry, and Jeff Bridges. If this film is anything as exciting and entertaining as the original, audience are sure to be in for a hell of a good time.


3. Justice League - November 17

As a comic book fan, I never thought this day would come. While I am a Marvel fan, my love for superheroes is originally rooted in DC comics. Reading and watching the adventures of the Justice League on Saturday mornings, a live-action movie never crossed my mind. Now, the time has finally come. Fueled by his restored faith in humanity and Superman's (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists the help of his newfound ally, Diana Prince (Gal Gadot) to face an even greater enemy. Together, they find and recruit a team of metahumans to stand against the threat of Steppenwolf (Ciaran Hinds). Batman, Wonder Woman, Aquaman, The Flash, Cyborg...together on the big screen. And you know the father figure, Superman, won't be far behind! Let's see if the DCEU can capitalize on the success of Wonder Woman's solo outing.

2. Thor: Ragnarok - November 2

Speaking of universes, the Marvel Cinematic Universe is ready to unleash one of this fall's highly anticipated movies. the mighty Avenger, Thor (Chris Hemsworth), finds himself on the other side of the universe in a lethal gladiatorial contest against the Hulk (Mark Ruffalo), his former ally. Thor must fight for survival and race against time to return to Asgard in order to stop Ragnarok, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, Hela, the Goddess of Death (Cate Blanchett). Along with Marvel veterans Tom Hiddleston as Loki, Idris Elba as Heimdall, Anthony Hopkins as Odin and newcomers including Tessa Thompson as Valkyrie, Jeff Goldblum as Grandmaster, this third installment in the Thor film saga looks to be the all-time for the God of Thunder as next year's Infinity War approaches.

1. Star Wars: The Last Jedi - December 15

Jump into hyperspace to our favorite galaxy far, far away as the second installment in the Star Wars sequel trilogy blasts into theaters. Picking up after the events in Star Wars: The Force Awakens, Rey (Daisy Ridley) continues her epic journey into a larger world with Finn (John Boyega), Poe (Oscar Issac), and the reclusive Luke Skywalker (Mark Hamill). Like Blade Runner 2049, this next chapter of the Skywalker saga has been kept under wraps. Why did Luke walk away? Who are Rey's parents and what's her connection to the Force? Will this story be similar to The Empire Strikes Back where the First Order takes the upper hand? I'll definitely be in attendance to watch Rian Johnson's vision of the Star Wars universe and give a final send-off to Carrie Fisher's final role as General Leia.

So what movie are you most excited for? Have I missed any that you readers are looking forward to? Let me know in the comments section!

Ryan Reynolds, Samuel L. Jackson are dynamic as R-rated comedy duo in 'The Hitman's Bodyguard'

Hello everyone! I know it's been a while, but I'm back with a new movie review. I'm still working on constructing the revamped blog so that will be coming up soon. I'll have more official news about that in coming weeks. But, back to business. Have you ever had times where you want to go out to see a movie, but nothing really piques your interest? That's kind of how it is as the summer season reaches its epilogue. But there are those few surprises in late August...

Ryan Reynolds plays Michael Bryce, a "triple A rated" executive protection agent, known best for not losing a client. When an unsuccessful delivery of a client goes south, Bryce's reputation is in pieces as he works as a second-class bodyguard for hire. Two years after the incident, Bryce is given a chance to prove his worth once again; chance comes in the shape of an Interpol offer to escort the renowned international assassin, Darius Kincaid (Samuel L. Jackson), from Manchester to the Hague in order to testify at the International Court of Justice. One problem: they have to put aside their personal differences and try not to kill each other in the process.

There are certain times where you worry about a film like this because of the unknown chemistry between the two leads playing reluctant partners.That is not a problem here. Reynolds and Jackson have excellent comedic timing and chemistry. They keep you laughing throughout the movie as Bryce tries to keep control of the situation in his transportation of Kincaid while his partner is more willing to go with the flow and let the chaos happen. Even among the explosions, boat-chases, and loads of ammunition shot across Europe, the two characters find time to discuss their love lives as Bryce looks to not only get his protection status back, but also reunite with his estranged ex-girlfriend, Amelia Roussel (Marvel's Daredevil), and Kincaid seeks to reunite with his aggressive but hilarious wife, Sonia Kincaid (Salma Hayek). Gary Oldman does a great job as the villain of the film, once again playing a sinister role that you can't help but love to hate.

This film can coast on the comedic chemistry of Samuel L. Jackson and Ryan Reynolds' banter, but the rest of the film is carried by the plethora of action-comedy cliches. But there is a reason that a cliche became a cliche: it's because they work. Along with the chemistry that I've mentioned before , it makes the film a delightfully ridiculous action-comedy that's a late summer surprise. This late summer release would have been easy to sink into the quicksand of its genre, but chemistry is everything in a movie like this and this combination will have everyone in the audience laughing. You have nothing to lose by seeing this film, whether you go to the theaters or not.

'Detroit' is an intuitive, brutal visual of American History

When you see Kathryn Bigelow's name, you instantly think of the onscreen combat movies that have garnered praise and critical acclaim from critics and fans alike. A master of blunt-force action, moral ambiguity, and onscreen combat, Bigelow has earned her stripes as a respected and sought-after director. So when her newest film, Detroit, was announced, you weren't sure what to expect. The previews left you guessing for the most part, but you know it had to do with a hot button topic today. One issue that should be alarming: this painful true event took place nearly fifty years ago.

Detroit takes place in 1967, during one of the largest race riots in United States History known as the 12th Street Riot. Amidst the chaos of the Detroit Rebellion, the city is under curfew and the Michigan National Guard are patrolling the streets along with the police force. The story centers around the Algiers Motel incident, where three young African American men were murdered. But the question remains: what really happened at the motel?

You see the beginning sparks of the riot after a raid on an all-black after-hours club celebrating the return of a solider from Vietnam. Because there is not a viable back exit, the arresting officers are forced to take the partygoers through the front door to waiting police vans. A crowd gathers and boos; bottles and epithets are thrown out as well. Like so many other parts of the country at the time already corroded by decades of fear and loathing on both sides of the racial divide, you can tell this city is a powder keg, and a spark isn't hard to find. For days, you see the riots play out as police do their best to contain and stop the violence; some taking it too far and costing lives.

As the streets burn, a motley crew of characters gather at the lively Algiers Motel: an aspiring R&B singer (Algee Smith) and his babyfaced hype man (Jacob Latimore); a weary veteran (Anthony Mackie); two freespirited white girls (Hannah Murray and Kaitlyn Dever) dipping their toes in the sexual revolution of the time. These strangers bond and flirt by the courtyard pool before moving inside. One guest (Straight Outta Compton's Jason Mitchell) pops off a starter pistol as a prank; the echoing shots provoke a rattled onslaught of law enforcement, including local officers Krauss (Will Poulter) and Demens (Jack Reynor), members of the National Guard, and night watchman Dismukes (John Boyega). What follows next during this second act of the film is historical record - albeit still a disputed one - even after several court cases, dozens of news articles, eyewitnesses over the last 50 years. (One would assume that Bigelow and screenwriter Mark Boal had done research to ground the script in known facts along with a dose of artistic license.) The second act of the film is tense and sometimes uncomfortable to watch as the police abuse their power in interrogating the hotel guests. Bigelow's focus comes back again and again to the ugly tug of power; whether that is attached to a badge or a bully's soapbox. You see small, but crucial, points in the film where this happens. A beat cop casually cupping a woman's backside as he "helps" her into a paddy wagon; the guardsman who smirks and asks Boyega for sugar when he offers fresh coffee; the pregnant pause before another carefully picks out the word Negro.

There is powerful acting in the leads such as Poulter; playing chilling enigma Officer Krauss. A rogue Boy Scout with a black space where his conscience should be. He kills as casually as a kid playing videogames - shooting a terrified looter in the back over a few groceries even after a colleague reminds him that they've been given explicit instructions to let low-level offenders go. Boyega is equally as good in a sometimes thankless role in both movies and real-life: the wary peacemaker who gets "Uncle Tom" spat at him from one side and a derogatory "boy" from the other. He's quietly magnetic, making it a wonder to watch his character think through each situation as far as where he lands.

Little screen time is wasted on motivation or backstory, but Bigelow's character all share one trait: a singular drive; a fixation that borders on mania. This is especially evident in Poulter's "I am the law" racist officer. Much of the movie lives in small impressionable moments, or in the prickly stillness before a scene explodes into brutal violence to make you cringe that this is happening. In a nation that seems to be as divided as it was in this film, I found that Detroit's aim was not to highlight a sort of institutionalized domestic terrorism or a political commentary on the relative matter of blue or black lives, but an effort to illuminate a singularly dark chapter in America's history - one that we are close to being in currently - and reminder of who truly loses when human beings, no matter your color, lose when we fail to take care of one another.

If you agree or disagree with my review, I understand. I would say to see this all-important film, which I consider to be a dark horse when Oscar season rolls around in a few months, and form your own opinion.

Blog Announcement

Hello everyone! As I mentioned before in a previous post (possibly months ago), I have an announcement to make about the blog:

It's a decision that I've been toying with for a few months and expanding my reach so I'll be moving the blog onto WordPress. I'll make a more formal announcement in the weeks to come when the transition from Blogger will be complete and where you can find this blog on WordPress.

Blogger has been a great surface to speak about what I love and sharing it with others. I hope to reach a larger audience with this move. There have been times where I thought about letting this blog go, but I want to take it further and make it better. Through this, I've become a better writer, looking at films differently, and hopefully getting more people into the theaters. Other ideas are in the works (including the possibility of a YouTube channel) to speak about movies and other things that I love!

So, I'll keep you all posted on what's going on and I hope you'll follow me in this transition!

Thank you for your continuing support!

Love, comedy, and cultural differences highlight likable indie darling 'The Big Sick'

When it comes to romantic comedies, there are few that I actually like. Similar to my opinions on horror movies, some romantic comedies become predictable in their fairy-tale, happily-ever-after endings that you can see coming by the third act. Sure, it'll have your heart racing and you'll feel for the characters and their relationship, but you know how it could end up before the end credits roll. Plus, how often does love in real life work out that way? But I digress. The Big Sick is not one of those movies; loaded with heart, laughs, and real-life reliability to make this film one of my favorites for the year.

Kumail Nanjiani, a Pakistan-born comedian looking for his big break, meets grad student Emily (Zoe Kazan) Gordon during a show. The two fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, forcing her into a medically-induced coma, Kumail must navigate being a comedian, confronting her feisty parents, his family's expectations, and his true feelings for Emily and about what he believes.

Being a Judd Apatow production, you should have known the main character would be a comedian, but if you can look past that, you are in for a great movie. Director Michael Showalter did direct a romantic comedy, but this movie stretches beyond that simple categorization. It digs into clashes across cultures and laughs that are specific to Nanjiani's experiences as a Pakistan-born citizen, enduring casual and, sometimes, pointed racism. Showalter makes the tonal shifts with grace, taking the audience out of the specter of Emily's illness with laughter over Kumail's interactions with his career, along with his and Emily's parents.

Written by the real-life couple of Kumail Nanjiani and Emily Gordon, this film allows the couple to be completely vulnerable to others, allowing the audience an intimate glimpse into a deeply personal and traumatic time of their lives. They instill honesty into moments, both large and small, that The Big Sick can't help but touch that tender part in your heart. You instantly want to pull for the couple all the way. Nanjiani's front-and-center presence is crucial to the film's emotional connection. He's struggling to make ends meet; working as an Uber driver by day and a standup comic by night. He's also struggling against his parent's wishes for him to be happy - as long as it includes an arranged marriage and carry on their cultural traditions. When he meets Emily, who heckled him during his set, you can instantly tell the chemistry between them. Kazan and Nanjiani had instant chemistry from the start of their easy back and forth banter that only grows more enjoyable as the film progresses. While Kumail is struggling, Emily has life a little easier with plans for a steady career that she loves. Emily is not a rom-com heroine that seeking approval from anyone; she's a strong and witty character, whose influence you can feel, even once she's lying in a hospital bed for much of the film's midsection.

Emily's parents, played with middle-aged comedic brilliance by Ray Romano and Holly Hunter, were not accepting of Kumail in the start as the comic is in the uncomfortable position of getting to know them under less than ideal circumstances. The interaction between the couple and Nanjiani through the daily highs and lows of the film and playing off one another is surprising and entertaining to watch. Hunter's no-nonsense Beth is a force of nature as the frustrated, frightening mom while down-to-Earth Terry is the opposite as Romano is great in this unusual dramatic role for him.

Being a supporter of interracial relationships, I felt connected to Kumail Nanjiani especially as far as seeking acceptance from your family about who you are dating. While I'm not bound by cultural traditions, you do face a judgment of dating outside of your race. This film speaks to those couples who seek inspiration or clarity in their struggle of who they are, what's right, and attempting to find that happy medium between their culture and who they want to be.

My only drawback for the film is the run time. Like a number of movies that Judd Apatow has been involved with, it goes on a little longer than it should, especially towards the end. This film could benefit from some tightening around that area, but this film is still a great watch. It's a great movie, especially a date movie, that the audience truly benefits from.

Charlize Theron kicks ass and overshadows the rest of 'Atomic Blonde'

When you first see Charlize Theron, a badass woman is probably not the first thing that crosses your mind. That outlook has officially changed. After her fierce turn in Mad Max: Fury Road and a stellar villain role earlier this year in The Fate of the Furious, the Oscar-winning actress has slowly become Hollywood's go-to badass heroine. Her new beat-down 80's noir, Atomic Blonde, continues this trend and solidifies her place in the action drama. Too bad everything around her couldn't be as polished.

Based on Antony Johnston and Sam Hart's 2012 graphic novel, The Coldest City, Theron plays Lorraine Broughton, an MI6 agent, who is sent undercover during the Cold War to Berlin to investigate the murder of a fellow agent and recover a missing dossier out of the destabilized city before the Russians get their hands on it. To help her navigate through this game of spies is embedded station chief, David Percival (James McAvoy), but Broughton is plagued by the question of who to trust.

This pulpy Cold War thriller is loaded with music from the 80's with raves and parties as the movie flips between the divided Berlin as the wall enters its final stages before being torn down, and comes across as a wild roller-coaster ride of trust issues among spies and quickly placed double crosses. Unlike another fictional MI6 spy of cinema, Lorraine is not a "delicate" person. She is a blunt instrument of violence with platinum bangs. The chorography of the fight scenes Theron was involved in were brutal, showing her commitment to the role and to taking a beating. Theron's shining moment is her own Daredevil-esque "hallway scene" as she battles burly and tough men in a stairway brawl.

 

James McAvoy is having a wild-eyed blast as David Percival, displaying a rough, hard-drinking officer that has adapted to surviving in the chaos that was Berlin. Sofia Boutella played a beautiful, but inexperienced, French operative that Broughton cares about after a sexy encounter (I had a four-year old sitting a seat away from me with her parents. Trust me, this is not a movie you want a child that young to see!). Her role could have been explored or expanded more, but it's understandable with the time constraint the director (John Wick's David Leitch) was working with. In the third act, the double crosses started coming up too much and felt overstuffed. In the end, Atomic Blonde is an generic exercise in style. But this movie certainly has a lot of it to make up for a less-than-hard-hitting narrative.

A solid film that you'll have a lot of fun watching as we near summer's end.

'Dunkirk' is one of the best movies this year

Hello, my readers! I'm back with a movie review for the most anticipated film I had on my list for the this summer (You know I had to review that). Christopher Nolan has always had my trust as a director. Ever since I saw Batman Begins, I became a Nolan fan. He creates a movie with an old school style: not depending solely on computer generated effects and preferring to use the warmth and poetry of film stock to shoot his movies. Nolan has always delivered an experience to his audience and his new film, Dunkirk, is something I didn't expect from the director of Inception and Interstellar. Dunkirk is a spectacle; a tense war film with tight storytelling that we've never expected from the director of Memento and The Dark Knight Trilogy.

Based on the true story in the early months of World War II, Nazi Germany had invaded France, pushing thousands of Allied soldiers into retreat to the seaside city of Dunkirk. As the perimeter shrinks, the Allied forces await evacuation to home, which was only twenty-six miles away.

Nolan tells this harrowing story from three different perspectives: land, sea, and air. The land covers one week, the sea covering one day, and the air covers one hour. Nolan does an excellent job weaving these three narrative threads seamlessly; while the time frames are different and can be confusing, it makes sense as the film reaches its conclusion. On the ground, the story focuses on a young, scared infantryman named Tommy (newcomer Fionn Whitehead), who scrambles amidst the enemies' flying bullets and falling bombs to stay alive until rescue arrives at the beach. His desperate attempts to escape the beach always leads him back to the waiting game, either for salvation or death. He doesn't say much and doesn't have to. The fear and confusion on his face, along with the other soldiers on the beach, tell enough for the audience. On the sea, we board a sailboat called Moonstone with its unflappable captain (Mark Rylance) and his teenage son and his son's best friend. As they motor across the channel to do what they believe is their duty to bring the trapped men of Dunkirk home, they bring aboard a shell-shocked survivor of a torpedo attack (Cillian Murphy), who refuses to return to the hell he had just escaped from (safe to say that he wasn't a happy passenger). In the air, we are in the cockpit of a Spitfire with a cool-under-pressure RAF Pilot (Tom Hardy), who's flying on fumes for a good part of the movie, but continues to dogfight against German planes in order to provide cover for the men on the ground.

 

Nolan's cuts and editing between the three narratives are slow and can be confusing at first, then picks up, going faster and faster. The danger and sense of urgency are heightened for the audience as they watch the soldier despair to make it home. Hans Zimmer's excellent score sets the tone and changes the pace when the danger increases in each arena and the narratives crossing over. What makes this film stand apart is the visual language. There is not a lot of dialogue in this film so the emotional resonance lies in the visual. As the visual language is being heightened by what we are hearing, it sweeps the audience up into the film. This movie is not one of the big, dramatic, for-Oscar-consideration as far as solo performances. It's a sensory experience that takes the audience into the uncertain fog of war. By the time the credits roll, you feel emotionally exhausted.

I watched this movie during a special 70 mm screening (IMAX wasn't available) and enjoyed every second of the near two hour war film. At the end of Dunkirk, what stands out the most besides the obvious inspirational message of hope or everyday heroism is the small unshakeable images that stick with you. A PTSD soldier walking into the surf to his death. Nurses handing out tea, bread, blankets, and comforting words to the haunted men they have rescued. Those resonate with you. As of right now, I put Dunkirk as the best motion picture of the year so far.   

San Diego Comic-Con 2017 Movie Trailers

It's that time of year again as movie, television studios, celebrities, cosplayers and fans alike descend upon San Diego, California for the annual spectacle, San Diego Comic-Con. The event is when upcoming movies and new seasons of television shows debut any recently shot footage, future projects are announced, and fans lose their minds.

This year has been no different. While away at Rehobeth Beach in Delaware, there has been a plethora of new trailers for upcoming movies and shows that I watch (Stranger Things 2 will be amazing!). So for those who couldn't attend the event or seen the trailers, I'm going to present them all on this post for my readers to enjoy!

 Kingsman: The Golden Circle

Boasting an amazing cast, including returning stars Taron Egerton, Colin Firth, and Mark Strong, this sequel finds the British spy service devastated by the destruction of their headquarters. The remaining members journey to the discovery of an allied spy organization in the US, known as the Statesman. These two elite secret organizations must band together in order to defeat a common enemy. New cast members include Halle Berry, Channing Tatum, Jeff Bridges, and Julianne Moore as the new villain. This movie looks as action packed as the first and guarantees to keep audiences entertained as the first surprise hit did.

Kingsman: The Golden Circle comes to theaters on September 22.

 Ready Player One

Cinematic legend Steven Spielberg directs this adaptation of Ernest Cline's pop culture novel. When the creator of a popular virtual reality utopia known as the OASIS dies, he releases a video in which he challenges all OASIS users to find his Easter Egg. An average teenager named Wade Watts (Tye Sheridan) solves the first clue, sparking excitement and hope back to the hunt, and throwing him into a world of people willing to kill for the information he has and changing his life forever. It's welcoming to have Spielberg return to the sci-fi world and this fits his earlier works.

Ready Player One is expected in March 30, 2018.

Bright

When it comes to Netflix movies, they can be hits or misses like other mainstream films. Over time, A-list actors have joined onto projects bought by the streaming service. This film is Netflix's first $100 million dollar film, bringing Will Smith into a magical urban fantasy. Set in a world where mystical creatures live side by side with humans. A human cop (Will Smith) is forced to work with an Orc to find a weapon everyone is prepared to kill for. Directed by David Ayer, this urban fantasy is a combination of Lord of the Rings and Ayer's previous film, End of Watch. It might be best to go in with some level expectations, but Netflix has proven to put out hits before (Check out To The Bone).

Bright will be on Netflix in December.

Thor: Ragnarok

Phase Three of the MCU has been off to a great start and, as we march towards Marvel Studios' 10th anniversary and next year's Avengers: Infinity War, Marvel presented the third solo film for an original Avenger. The first trailer did a proper set-up, but this trailer does that and more. After losing his hammer and imprisoned on the other side of the universe, Thor (Chris Hemsworth) must team up with his former ally, The Hulk (Mark Ruffalo), in order to prevent the Goddess of Death, Hela (Cate Blanchett) from destroying his home and the Asgardian Civilization. It was great to see more of Hela, Hulk, Loki (Tom Hiddleston) and Tessa Thompson's Valkyrie. The colors are brightest as they've ever been for a Marvel film. While I think this movie might feel too similar to Guardians of the Galaxy, it could provide a bridge to next year's ensemble superhero epic.

Thor: Ragnarok blasts into theaters on November 3.

Justice League

Aquaman. The Flash. Cyborg. Wonder Woman. Batman. Say what you will about the DC Comics film universe; this ensemble film brings some of the most well known heroes of all time. This trailer is definitely more action packed as we see the league in action and working together, some of them learning courage (like the Flash). We also get a first glimpse at Steppenwolf, the film's main villain. As the great evil comes to the Earth, Batman (Ben Affleck) assembles the four single heroes to face this great enemy. By the end of the trailer, we also see that the League will get some help.

We get a lot at the different players from DC lore: Commissioner Gordon (J.K Simmons), Alfred (Jeremy Irons), and the return of Queen Hippolyta (Connie Nielsen) as we go return to Diana's home island. In the trailer, we also hear Steppenwolf mention the very powerful guardians known as the Lanterns (could we see a Green Lantern in this film?). After the success of Wonder Woman earlier this year, I'm going into this film with more hope.

Justice League comes to theaters on November 17.

Well, which one are you excited for? Personally, Thor still looks like the best out of them all. Let me know in the comments.

'Spider-Man: Homecoming' joins the list as one of Marvel Studios best films

Hello, everyone and Welcome to my 200th post!

I'm back again with another review and I'm hoping this will be one that my readers will enjoy. If you have read any of my past reviews, you all know that I have a soft spot for the ever popular superhero genre. Even if the movie is terrible (here's looking at you, Batman v Superman), I'll still give it a chance. When it comes to the costumed heroes, I have a soft spot for Marvel's comic book characters; one of my favorites is the New York wall-crawler, Spider-Man. Unfortunately, the web-slinger's cinematic history has been a little rocky with five movies and one reboot. Now that Sony decided to play ball with Marvel Studios, the second reboot reunites Spider-Man with a larger universe of heroes that have been around for nearly a decade in cinema. And the result is nothing short of Amazing.

After the events of the Avengers' internal conflict in Civil War, we find Peter Parker (Tom Holland) returning to Midtown High School to attempt and balance his life as high school sophomore and his street-level hero alter-ego.

The story expands from this small premise as we begin eight years ago in the aftermath of the Battle of New York (It's really been that long?!). A salvage team led by Adrian Toomes (Michael Keaton) is picking up the remaining alien technology left in the city, but their operation is stopped by Tony Stark's joint venture with the U.S. Government called the D.O.D.C., or the Department of Damage Control. It's safe to say this didn't make Mr. Toomes and his crew happy and they won't forget this. Catching up to the modern day and watching Peter being a complete teenager by filming his adventures on his phone, including the airport battle from Civil War, was hilarious. Once his "test run" was complete and Tony Stark (Robert Downey, Jr.) dropped off Peter back at home, promising to call for the next mission, Peter was back to his normal life. But once you've had a taste of the danger and action, it's hard to go back to what you know.

Peter keeps updating Stark and his "handler", Happy Hogan (Jon Favreau), with his stopping small crimes and hoping for his next big mission to be officially considered an Avenger. While stopping bike thieves, helping old women across the street, and worrying about asking his crush, Liz (Laura Harrier), out to the homecoming dance, the threat of Adrian Toomes and his crew rears its head in Queens, NY. Using the technology they were able to salvage before being shut down, Toomes assumes the identity of the Vulture and uses his weapons for his own personal gain. Only one person can stop him...and he's not even really an Avenger.

Now, I had level expectations on how Marvel would treat one of their all-time great heroes, but had faith that they will revitalize the wall-crawler. Tom Holland once again brought heart and humor to the role of the wise-cracking hero. Holland embodied how a teenager is now: energetic, funny, girl troubles, and recording everything! He wants to be the heroes that he has looked up to for years such as Iron Man (Peter Parker does make a small cameo in Iron Man 2, in case you haven't heard) and the rest of the Avengers. Throughout the course of the movie and after one possible blunder that Tony had to bail him out of, Parker finally realized that he can be great in his own way: by standing up to the little guy. That's the essence of Spider-Man: he stands up for the little guy while the other heroes are off on their own adventures. This isn't to say that he won't like to team up with them, but he's his own hero and does just fine on his own. By the end of the movie, Peter finds out that he has proven himself a hero in his own way and Tom Holland is worthy of Spider-Man's mantle.

Michael Keaton's career resurgence has continued and is in full display during this movie. Unlike the other MCU villains, Toomes isn't driven by world domination or power. He's a "regular guy". While he's not completely villainous, there are points where you understand and might see his point. He has a very ground-level perspective that makes him relatable to the audience and Keaton's performance was a major boost to this film. Robert Downey Jr's Tony Stark had the same charisma that we've come to love as he takes on the role of mentor to young Mr. Parker. He's not in the movie a lot and only appears when necessary, which is exactly what I wanted (I call it Rogue One's Darth Vader Treatment). And Zendaya's performance as the awkward but intellectual Michelle was great to watch, drawing comparisons from Ally Sheedy's character from The Breakfast Club. As far as the future role she will play, you'll just have to see the movie. :)

The film is not bogged down in franchise building. Once you know it's set up in the MCU (like we didn't know this already) and what section in the timeline, the film just goes from there. This film delivers a colorful, fun adventure that finds its place in the MCU. This second reboot of the Spider-Man movie franchise delivers in spades and is probably the best out of the previous five. So prepare for  Let's see how this web will grow inside Marvel's sprawling universe as we march towards next summer's ensemble movie, Avengers: Infinity War.

'Baby Driver' is straight Bananas!

If any of my readers have never seen an Edgar Wright-directed movie. you are truly missing out. From Shaun of the Dead to Scott Pilgrim vs. The World, Wright's films have always been filled with three-dimensional characters, comedy, and action to keep audiences entertained from beginning to end. Edgar has always had help with the writing of the films he has directed, but never ventured on his own with both writing and directing. Until his passion project came to life with Baby Driver.

As I stated in an earlier post of when I met Edgar Wright a few weeks ago at Awesome Con, I got the chance to watch the first five minutes of the film. I was hooked after those first five minutes of excitement and the rest of the film did not disappoint.

Baby Driver tells the story of Baby (Ansel Elgort), a getaway driver under the payroll of Atlanta crime boss, Doc (Kevin Spacey). Baby drives the car for Doc's team of thieves as they conduct heists all over the city, displaying an impressive skill set behind the wheel. But Baby has dreams of getting out of the life, which is heightened when he meets Debora (Lily James). When a high-profile robbery fails, Baby must use his driving skills to escape not only the police, but his former teammates in crime.

The basic plot is simple that audiences have seen it done many times: guy is in with some bad people, meets girl, wants to get out of said life, has to go through hell to do it. It's how that story is executed and how the characters go about it that make the difference. We also have to especially care about the characters. Edgar Wright completes this task by going into the backstory of Baby and his love for music, stemming from his mother. Kevin Spacey's crime boss fitted the veteran actor like a glove. The quiet boss didn't need to shout to display his power and influence, warning those what could happen if he is crossed. The other cast members all had great moments, specifically Jamie Foxx's hair-triggered Bats. He became the wild card of the heist team, not knowing what he would do and providing plenty of funny moments to balance out the chaos he caused. Jon Hamm's Buddy and Eiza Gonzalez's Darling were the Bonny and Clyde of the team, both of them shined in their roles as the violent couple. I can see why Jon Hamm stayed with this project as development came and went over the years.

The tagline of this movie was "All you need is one killer track". Baby Driver has a soundtrack of killer tracks to accompany this action-comedy flick. From Jon Spencer Blues Explosion's "Bellbottoms" in the opening minutes, Lily James singing Carla Thomas' "B-A-B-Y", classic Commodores song "Easy", and Barry White's "Never, Never Gonna Give You Up", this soundtrack does not have a shortage of music. Baby doesn't have many lines in the first two acts of the film as most of his scenes have music playing as audiences get to hear what's coming through his iPod earbuds. This movie could be a borderline-musical because of this, but this adds to the charm and originality of the film. I'll definitely be downloading this soundtrack very soon!

Edgar Wright's directorial skill was amazing, panning the camera around during the chase scenes as Baby evaded police cars and each close call. Wright used very little CGI as we've come to expect with some of these action films, choosing to shoot this movie old school style and that helped with the originality. Word of mouth and fans of Wright's past works helped get this movie a solid audience when I went to go see it. This should be a sign for Hollywood; along with films like Get Out and Split, Baby Driver proves audiences will gather for an original movie that isn't based on previous films or part of a universe. I hold this film as one of the best of the summer and one of my top films so far this year.

Even if you have never seen a previous film directed by the English director, I would recommend that everyone go see Baby Driver!

Meeting Edgar Wright at Awesome Con

As a movie lover and blogger, I have my list of directors that I like. From Steven Spielberg to Christopher Nolan, I find their work the most fascinating and knowing there will be a good story they are telling on the screen. They are the men behind the camera that brings the magic to the audience. But I've always wondered how it would be to meet one of them. Even if there wasn't a full conversation, just a few minutes would be enough.

I was granted such an opportunity two weekends ago when I attended my first Awesome Con; a convention that celebrated not just comic books and their colorful heroes but all aspects of pop culture. That entire weekend was a mosaic of unity among pop culture fans, both young and old. When I found out that director Edgar Wright (Hot Fuzz, Shaun of the Dead, The World's End), was making an appearance for a Q&A about his new film, Baby Driver, I made sure I had time for his panel on a busy Saturday afternoon.

Luckily, I kept checking my e-mail because I was sent out an e-mail to enter and have a chance to meet Edgar Wright and a signed Baby Driver poster. I leapt at the opportunity and submitted my name. After waiting a nerve-wracking 24 hours, an e-mail was sent to me to let me know....I won! I would meet Mr. Wright after his panel for a signed poster!

After running through the exhibit hall and taking photo ops with WWE superstars Shinsuke Nakamura, Charlotte Flair, and TV's Dark Matter star, Melissa O'Neil, I ran up to the Main Hall just in time to see Edgar Wright on stage with The Guild's Felicia Day discussing his passion project being brought to life, his work on the Cornetto Trilogy, and what could be coming next for him. The audience was even gifted with the first five minutes of Baby Driver!

Journeying back down to the exhibit hall, I saw an extended line of people gathering near an autograph booth; all of us awaiting Mr. Wright's way down from the main hall. Once we gathered some organization into the line and he took his seat, a stack of posters next to him, the movement towards the beloved director. Normally, photos of the celebrities are prohibited unless he or she approves or it's a part of their autograph package. Being ever courteous to his fans, Edgar had some of the staff take photos with him with an eager fan before leaving with a personally signed poster.

Approaching the table, I shook the hand of the man who wrote and directed some of my most entertaining movies of the past few years. As he signed my poster, Mr. Wright posed for a picture by one of the staff members. And with that, a movie fan's dream had come true of meeting one of his favorite directors.

I'm hoping for more moments like this as a fan. I might need to make my way out to Hollywood or more conventions!

Coming up...my review of Edgar Wright's new action comedy, Baby Driver!

Jackie Chan is still lethal in first 'Foreigner' trailer

For more than fifty years, martial artist and actor Jackie Chan has dazzled audiences all over the world. He has amazed viewers with his acrobatic fighting style, use of improvised weapons, comic timing, and the innovative stunts, many which he performed himself. Chan didn't become popular in 1995's Rumble in the Bronx. His first Hollywood blockbuster came in 1998's buddy-cop film Rush Hour, which spawned two more sequels

As his career evolved over the years, Jackie Chan has become a more well-rounded actor while reducing his action stunts in order to take better care of his body. So imagine my surprise when I came across one of Chan's new films coming out this year where he returns to the action genre.

Jackie Chan plays a restaurant owner who goes on a mission of revenge after his daughter is killed in a bombing by Irish terrorists. According to the trailer, it looks like he'll be going up against action veteran Pierce Brosnan. Jackie Chan looks to be going into the Taken bag of tricks by using a certain set of skills to go against the terrorists. The trailer is full of action and looks to be an exciting popcorn flick for audiences to see Chan return to action films. Directed by Martin Cambell, we are guaranteed enough action scenes to balance the drama of the story. What crazy stunts will Chan try himself at the age of 63?

The Foreigner arrives in theaters on October 13.