Based on the true story in the early months of World War II, Nazi Germany had invaded France, pushing thousands of Allied soldiers into retreat to the seaside city of Dunkirk. As the perimeter shrinks, the Allied forces await evacuation to home, which was only twenty-six miles away.
Nolan tells this harrowing story from three different perspectives: land, sea, and air. The land covers one week, the sea covering one day, and the air covers one hour. Nolan does an excellent job weaving these three narrative threads seamlessly; while the time frames are different and can be confusing, it makes sense as the film reaches its conclusion. On the ground, the story focuses on a young, scared infantryman named Tommy (newcomer Fionn Whitehead), who scrambles amidst the enemies' flying bullets and falling bombs to stay alive until rescue arrives at the beach. His desperate attempts to escape the beach always leads him back to the waiting game, either for salvation or death. He doesn't say much and doesn't have to. The fear and confusion on his face, along with the other soldiers on the beach, tell enough for the audience. On the sea, we board a sailboat called Moonstone with its unflappable captain (Mark Rylance) and his teenage son and his son's best friend. As they motor across the channel to do what they believe is their duty to bring the trapped men of Dunkirk home, they bring aboard a shell-shocked survivor of a torpedo attack (Cillian Murphy), who refuses to return to the hell he had just escaped from (safe to say that he wasn't a happy passenger). In the air, we are in the cockpit of a Spitfire with a cool-under-pressure RAF Pilot (Tom Hardy), who's flying on fumes for a good part of the movie, but continues to dogfight against German planes in order to provide cover for the men on the ground.
I watched this movie during a special 70 mm screening (IMAX wasn't available) and enjoyed every second of the near two hour war film. At the end of Dunkirk, what stands out the most besides the obvious inspirational message of hope or everyday heroism is the small unshakeable images that stick with you. A PTSD soldier walking into the surf to his death. Nurses handing out tea, bread, blankets, and comforting words to the haunted men they have rescued. Those resonate with you. As of right now, I put Dunkirk as the best motion picture of the year so far.
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