'Batman v Superman: Dawn of Justice' shows more to sell to fans, including The World's Finest Trinity.

Last night on Jimmy Kimmel Live!, Ben Affleck was on hand to provide the latest trailer for Batman v Superman: Dawn of Justice. First, Jimmy Kimmel is smart to make his late night show the place to release new movie previews, especially those in the world of superheroes, with the first Captain America: Civil War preview last week. Second, I will admit that I was more impressed with this trailer than the previous two but nothing is perfect. I did have my reservations and dislikes from this latest update of the upcoming DC Comics epic (more on that later).

From the preview, we're given more intense standoffs. The first is between the alter-egos of the two legendary heroes: Clark Kent (Henry Cavill) vs Bruce Wayne (Ben Affleck). Clark sees Batman as a vigilante and Bruce sees Superman as a dangerous god-like entity with the power to destroy the world, not a hero. Bruce is show to have been in Metropolis, given a front row seat to Zod vs Superman in Man of Steel. The millennial update to Lex Luthor (Jesse Eisenberg) helps beef up the gladiator showdown not only between the two men but between the heroes as well, calling it "Son of Krypton vs Bat of Gotham".

More of the fight is shown as the two heroes clash during a storm, wreaking havoc on an abandoned building, neither man willing to back down or give up. One shot shows Batman caught by Superman, who has his own personal army (?) and unmasks the cowl to reveal a defiant Bruce Wayne to the Man of Steel. Superman knows he could kill Batman, despite the armor the Dark Knight is sporting. All of Batman's tech (the Batwing and the Batmobile) do not seem to help him in the fight but it takes a turn when Lex brings another element into the fight: Doomsday.

Once this creature appears and seems to target the battleground of the heroes, another joins the fray as a sizzling shield is shown being pushed back along with Superman. Bringing the protective shield away, we are given a better look at the Amazonian princess Wonder Woman/Diana Prince (Gal Gadot). Batman and Superman are unsure of what to make of the new presence, questioning who she was with. "Is she with you?" Superman asks. Batman looks confused, replying "I thought she was with you."

The ending shot gives the audience their first glance at DC Comics "Holy Trinity" or "The World's Finest Trilogy" as Superman, Wonder Woman, and Batman leave the questions aside and prepare to face Doomsday.

Now, I am more sold on seeing this film but I think it revealed too much of the main story and relied on the epic action, special effects, and the destruction this battle will cause in DC Comics Movie Universe. This film is intended to set up the universe and I still think it's being rushed. Marvel's slow burn of establishing the universe and its heroes in their own films, having it lead to The Avengers led to a huge payoff. Maybe this current plan will work out for DC Comics as they compete and set up their world of heroes but only time will tell.

Batman v Superman: Dawn of Justice will be released on March 23, 2016.

Marvel's Mightiest Heroes are Divided in 'Captain America: Civil War' Teaser

It's the trailer that broke the internet (next to Star Wars)! Marvel fans have been clamoring for any footage they could get for the next installment in the Marvel Cinematic Universe. As usual, Marvel has kept everything close to the vest and not giving anything away.

When we last left Earth's Mightiest Heroes in Avengers: Age of Ultron, after saving the world once again from Ultron and the fallen city-state of Sokovia, Captain America assembled a new team of Avengers. Along with founding member Black Widow, War Machine, Scarlet Witch, Vision, and Falcon made up the new team to defend the world. Once the titles were revealed for Phase 3 of the MCU, Captain America's next installment would bring a famous story line to the silver screen.

First premiering on Jimmy Kimmel Live! on Tuesday, November 24th and seen by millions over and over since then, here is the first teaser trailer for Captain America: Civil War

After the events of Avengers: Age of Ultron, another international incident involving Captain America (Chris Evans) and the Avengers results in collateral damage, prompting politicians to form a system of accountability for our heroes. This form of political interference causes a rift, which results in fracturing the team into two opposing factions - one led by Captain America who wishes to operate without regulation, and one led by Iron Man (Robert Downey Jr) who supports the government oversight. Meanwhile, they still must protect the world from a new enemy.

From early art work, trailer, and clues from the previous Avengers and Ant-Man films, Team Captain America consists of: Captain America, Bucky Barnes/Winter Soldier (Sebastian Stan), Hawkeye (Jeremy Renner), Falcon (Anthony Mackie), Scarlet Witch (Elizabeth Olsen), and Ant Man (Paul Rudd). This team faces off against Team Iron Man: Iron Man leading War Machine (Don Cheadle), Vision (Paul Bettany), Natasha Romanoff/Black Widow (Scarlett Johansson), and new Marvel cast member Chadwick Boseman playing T'Challa/Black Panther.

From the preview, it seems we pick up after the post-credits scene of Ant-Man, where we see Cap and Falcon locate a trapped Bucky Barnes and he remembers his old friend. Unfortunately, Bucky is being hunted and Steve does everything he can to protect his old friend while dealing with the Sokovia Accords (the document taking the place of the original Registration Act from the comics). Iron Man seems to have been brought in to diffuse the situation but it doesn't stop Cap and leads to the former allies battling once another. By the end of the preview, with Cap feeling he had no other choice because Bucky is his friend and Tony stating so was he, this film could have serious impact on the Avengers.

We get a better look at the Black Panther's outfit and seeing him in action and it looks incredible. What we don't get a look at is Tom Holland as Peter Parker/Spider-Man and what role he could play. Knowing Marvel, they will keep that under wraps and not give anything away until the film is released. Personally, this looks more exciting than DC's Batman v Superman: Dawn of Justice.

Captain America: Civil War will be released on May 6, 2016.

'The Hunger Games: Mockingjay Part 2' brings a satisfying conclusion to fans of both the book and film series.

After Harry Potter ended with the second part of Deathly Hallows in 2011, the throne of young adult novel adaptations awaited its next successor. In 2012, the first Hunger Games film came out into theaters. With its savage kill-or-be-killed premise by using children for public entertainment and powered by the performance of then unknown Jennifer Lawrence, it appeared that we found that next series set to take the throne. 

This year, the final film of the movie series has abandoned hope in the darkness as it comes to an conclusion. 

The Hunger Games: Mockingjay - Part 2 picks up immediately after Part 1, opening midscene like a bookmark was put on directly after the first part. Our heroine Katniss (Jennifer Lawrence) is bruised and broken after the failed assassination attempt by her onetime friend/fiance/fellow victor Peeta (Josh Hutcherson), whose mind has been warped to a paranoid and violent point by President Snow's Capitol subjects. The rebellion seems to be falling apart, the Districts turning on each other as they look to any form of leadership, and even Snow, physically, looks to be dwindling. These days, poisoning an insubordinate only brings the thinnest wisp of a smile. 

After what happened to Peeta, Katniss only sees one way to end this conflict: Snow needs to die. As long as Katniss lives to see another day, the Rebellion still has plans to succeed. Once she has recovered enough to strap on her longbow again, Katniss joins an all-star team of Tributes and soldiers on a march towards the Capitol. However, it's more of a propaganda team to broadcast their progress ahead of the front lines - until they discovered there are no "safe zones" in the Capitol: Buildings are booby-trapped, bullets are real, and the traps are lethal to anyone who triggers them. One such sequence was a terrifying battle scene where a slithering army of mutants with boiled-frog skin and barracuda teeth attacks, turning possible safe way into a death trap. 

With scenes like that, you have to wonder if this movie is really for its young adult-intended audience. Even though I've read the novel and I'm an adult, some of these scenes made me jump out of my seat. To be fair, author Suzanne Collins' source material always fell outside of the conventional YA genre as far as the kids killing kids for sport. But she provided a balanced moral universe, the underlying love story, and a female protagonist who is smart, resourceful, complicated, and self-determined. Lawrence, a Best Actress award later after the start of Hunger Games, continued to be the heart and soul of the series. Since the start of the series, Katniss seemed to be tailor-made for Lawrence; from Everdeen's humble hunting days in District 12 to winning the Games to becoming a symbol of rebellion to the emotional, broken but determined young woman that we encounter in Mockingjay Part 2. Jennifer Lawrence seems to understand the symbolic weight her character has been asked to carry

The first two films managed the challenge of visually presenting the books' violence without fully diving into the territory their target audience demo couldn't handle. What separates the first two films and the two-part Mockingjay finale is that Mockingjay strays too far into the darkness: With its political power struggles and immense body count, it felt more like an episode of Game of Thrones than a YA movie. The acting of the rest of the cast was great; all of them showing the emotion, even in character, that this was the end of a three year odyssey. It was an enthralling conclusion to the films that will leave the devoted fans happy.

Daniel Craig leaves a bigger tuxedo to fill with 'Spectre'

In the lead up to Spectre, we have all heard or read about Daniel Craig's comments about him being over the role that has made him a worldwide superstar. How much you believe him is up to you but judging from those statements, it feels as though Spectre is Daniel Craig's final mission as 007. I grew up in the age of Pierce Brosnan's 007: suave, charismatic, and full of one-liners. After Goldeneye, the franchise was going down with Brosnan closing out his time with over-the-top but boring Die Another Day. The franchise needed new life.

Enter Daniel Craig. Beginning with 2006's franchise reboot, Casino Royale, the actor single-handedly rescued the character from falling into Austin Powers territory and gave Bond a gritty, brooding, bruised-knuckle intensity. He peeled back the layers of the agent and made you feel the toll that so much killing takes on a man's soul, showing the character that is under the tuxedo. There is no doubt that Craig would be leaving the franchise in a better place than when he found it. If this is truly the end of Daniel Craig's 007, I think he left a worthy swan song.

Spectre picks up off the heels of Skyfall, which saw the death of Judi Dench's M and introducing a new generation of MI6 allies: Naomie Harris' Eve Moneypenny, Ben Whishaw's Q, and Ralph Fiennes' M. Spectre opens up with Bond in Mexico City during the Day of the Dead on a mission to kill an Italian terrorist. This fight leads to an incredible brawl mid-air in a helicopter that was thrilling to watch. It turns out that Bond's current mission has been tasked to him from beyond the grave with intel from his former superior, which leads Bond into the tentacles of the criminal organization SPECTRE. While Bond is off the reservation, a new head of British Intelligence code named C (Andrew Scott) threatens to eighty-six the double-0 program.

While his license to kill is being threatened, Bond is globe-trotting from Rome (where he has a steamy encounter with 'Bond Woman' Monica Bellucci) to the snowy Austrian Alps and Tangier, Bond is hunting Franz Oberhauser, a man who sponsored Bond's past adversaries (Le Chiffre, Mr. White, Silva). Played to sinister charisma by Christoph Waltz, Oberhauser has a tie to Bond's childhood and turns out to be a familiar character known to Bond aficionados (I won't spoil that for my readers). Along with Oberhauser, Bond must do battle with a formidable, Jaws-like hitman Mr. Hinx (Dave Bautista). Bond is given an strong love interest in Dr. Madeleine Swann (Lea Seydoux), who proves she can handle her own and is Bond's equal. It's definitely a move away from the usual damsel in distress of Bond's past but I saw her as more of a plot device in the grand scheme.

Personally, Skyfall is the best Bond film of Daniel Craig's tenure as 007; possibly the best Bond film of all time. Like Craig's previous turns in the tux, Spectre is full of globetrotting action, a thousand count of opulence in the story, and the typical escapism of a Bond film. Compared to Skyfall, this sequel feels undercooked. While it serves its purpose as the culmination of Craig's four-film cycle, connecting all of his previous missions in one large web of villainy, it feels like it never paid off fully. Director Sam Mendes and the writers could have had a field day with Oberhauser's place in the 007 canon, but he feels like just another enemy bent on Freudian score-settling with the agent. I think it's possible that Skyfall set expectations that were too high for Spectre to match, much less top. While Craig's Bond deserves a better send off, you can't ignore all he has done. We can only hope for one more mission before a new agent is selected.

Top 10 Disney Movies

I've thought a lot about this adding this topic to my blog but it is a broad subject (and somewhat of a controversial one among my friends). It's one that a lot of millennials think about these days now that the animated films we grew up are aging but like a fine wine because they are still talked about today.

With the recent release of Aladdin, I'm upgrading all of my movies in my Disney animated collection to Blu-Ray and it got me to thinking what I considered to be my top 10 Disney movies. Every list varies depending on what era of Disney you grew up with and if you have seen any of the older, original films. I grew up mainly in the Disney Renaissance during the 90's but did watch some of the older films and the addition of Pixar does blur the line of what is Disney now but it's all animation.

Here we go!

10) The Lady and the Tramp (1955)

The tale of a loved house dog getting lost named Lady who gets lost in the streets and falls in love with a stray dog named Tramp. This story is the classic "rich versus poor" tale with a little bit of Disney magic added in. This film is heralded as the one of Disney's greatest love stories that possibly rivals Beauty and the Beast. Not many animated filmed have aged as gracefully as Lady and the Tramp which helps attest the placement on this list. Plus no one can forget one of the greatest scenes in romantic movies, whether animated or live-action, of the two main characters who share spaghetti, eventually leading to a kiss.

9) Sleeping Beauty (1959)

There is little reason why this classic is not on anyone's top Disney movie list. Sleeping Beauty is one of the few widely told fairy tales and when it is mentioned, your mind almost instantly think Disney.  Disney has the greatest known version of Aurora and Maleficent. The animation is very striking and helps amplify the story of fantasy. It's about as magical as Disney can get. The climatic battle between Prince Philip and the dragon form of Maleficent is epic, stunning, and as action-packed as any live-action film today. Sleeping Beauty is one of Disney's greatest pieces of art ever.

8) The Many Adventures of Winnie the Pooh (1977)

This Disney classic has the unique placement of being a generational movie. It can relate to at least one part of everyone's childhood in one way or another. The imagination, nostalgia, and emotion of The classic explores the simplicity and innocence of being a child, something that most adults forget and need a reminder of. The Many Adventures of Winnie the Pooh gives its viewers of a sense of belonging in a world where we are misinterpreted everyday as we learn and grow. It's a movie that can be a favorite of both grandparents, adults, young adults, and children all.

7) The Hunchback of Notre Dame (1996)

The Hunchback of Notre Dame is a child of the Disney Renaissance and one of their darker efforts during the 90's. That might be the reason that people still like it. The usual Disney formula is in place as always, The Hunchback of Notre Dame feels like a breath of fresh air. It holds nothing back and provides us a truly evil villain that doesn't rely on humorous song. This film truly explores the human soul as far as what makes us good or bad, no matter what is on the outside. The protagonist, Quasimodo (who bears society's most taunts due to his deformity), doesn't get the girl in the end but gains something more in the end. Definitely one of the more underrated movies in Disney's collection.

6) Peter Pan (1953)

Here is another film about the wonders of childhood that reaches across generations. The reason Peter Pan works so well and lasted so long is not just because of the quality and art, but it's because it's about a character who appeals to everyone who wishes they can just stop life and escape reality for a short time. After all, escapism is one of the most attractive qualities about movies. Peter Pan embodies Disney's entire idea with its films, shows, and theme parks as far as its popularity with people of all ages. It allows them to take a few minutes from the stresses of the real world and school and enjoy something positive, freeing, and uplifting. Peter Pan is a mascot for hope that things always get better.

5) The Little Mermaid (1989)

Disney was going through a dark period following a change of management and their films did not perform well commercially, leaving the animation department in jeopardy. The Little Mermaid was a revitalization of the Disney brand and led the way for the Renaissance. Without the wonderful music of the mermaid who wanted to break free from the suffering chains of her father's concerned limits, I, along with many other children born in the late 80's and 90's, would not have the movies we enjoyed growing up. The soundtrack rivaled the animation and showed us how big the characters would mark their place in Disney history. Bottom line: The Little Mermaid saved Disney.

4) Snow White and the Seven Dwarfs (1937)

In this sort of list, you cannot forget the film that started it all. In 1937, Walt Disney realized his dream of releasing a full-length animated feature film. Snow White set the standard for everything Disney has become and has influenced so many other studios that choose to venture into animation. This classic made it into the top four because it is the foundation for all the stories we enjoy today. It goes without saying that Snow White started something massive and is a milestone in cinema all together.

3) Aladdin (1992)

The films I have listed here have done a great job withstanding the test of time over the years. They have outdone and elevated the standard that was set by predecessors before them. Aladdin is one film that has done both of these things. This magical story of rags to riches is an instant classic, spawning two direct-to-video sequels, an animated television series, and a Broadway play. The soundtrack shoots off one hit after another, full of energy and life. You have to sing along anytime an Aladdin song comes on! The greatest characteristic of this film is Robin Williams' performance as the infinite Genie, in which there is no limit to the dreams he can make come true. Along with a devilish villain and the electric animation, Aladdin is one of the few Disney movies where everything is on point.

2) The Lion King

This is the Shakespeare of Disney and one of the first films I remember as a child that made me fall in love of movies. This epic has a powerful story and holds its place as an undisputed classic and serves as one of the finest pieces of filmmaking in history, animated or not. A tale of maturity, responsibility, loss, and destiny, The Lion King reaches deeper than the drama of Simba, the abandoned prince and protagonist. It discusses our nature as humans by using metaphors of tyranny and rebellion to describe a fable of social order, legacy, and lust for power. Hakuna Matata - which means no worries - that the bad is in the past, an exciting and swinging hit, and a comfortable motto in relation to the film's inner-antagonist. The Lion King is a phenomenon that transcends its legacy, going from sequels (and half-sequels) to television to theme parks to the Broadway stage. Walt Disney would be proud of this film as well as the one I have crowned as number one...

1) Beauty and the Beast (1991)

With 52 films and seven and a half decades of animated films, Beauty and the Beast can be argued as the pinnacle of Disney animation. It combines the best of the past with the present. A Broadway musical rendered for the big screen, reaching out to an audience of all ages. The film moves like animated poetry, wrapping up turmoil and triumph in a blanket of emotional passion and covered in a rich sauce of majestic grandeur. Beauty and the Beast qualifies as a masterpiece not just in animation, but in cinema. It is the first animated film to be nominated for Best Picture Oscar; some still argue that it should have won that year. The story of Belle and the Beast is one that resonates with all ages. We learn that love is not the physical or material offerings of an individual, but who the person is inside their heart and soul. It's what makes them a person, not just in terms of personality but also in their ability to grow and change to make themselves better people. It might be mushy but Disney seems to run on it so it works. This film embodies the essence and elements of Disney animation, giving us a tale that is truly as old as time and won't be forgotten.

So what movies are in your Disney Top 10?

Han, The Falcon, Space fighters, and Lightsabers highlight the final preview for 'Star Wars: The Force Awakens'

This trailer has been months in the making! 

Eleven months after the first teaser, fans of The Force Awakens were finally treated for their patience with a full and final trailer for the reboot of the famous space-opera. 

Here is the final, full trailer of the most anticipated movie of 2015...

It begins, fittingly, with a question. A clipped, authoritative voice asking: "Who are you?"

Daisy Ridley's desert scavenger Rey is in the bowels of a crashed Star Destroyer and answers plaintively: "I'm no one."

John Boyega's runaway stormtrooper Finn faces a similar crisis: "I was raised to do one thing. But I've got nothing to fight for." 

Kylo Ren (Adam Driver) has no doubt or humility about his purpose: "Nothing will stand in our way," he says to the scorched remains of Darth Vader's mask. "I will finish what you started."

The Force Awakens takes place thirty years after the events of Return of the Jedi and those events seemed to have faded into legend with Rey talking about the stories that she has heard. Harrison Ford's Han Solo shows up and confirms that the stories they have heard are true: the dark side, the Jedi. They are real. 

Then he gets an embrace from Carrie Fisher's Princess Leia. Maybe once you have found someone else who is lost, you're not nobody anymore. One person seems to be lost from the original Star Wars trinity: Luke. 

After the first teaser hit last November, with Andy Serkis' still unseen Surpreme Leader Snoke intoning: "There has been an awakening...have you felt it?" That was followed by April's longer teaser featuring old friend Han and Chewie; Han declaring: "Chewie, we're home."

Then fans were treated to behind-the-scenes glimpses, both in video and print articles, hinting at the origin of the Darth Vader-obsessed and inspired Kylo Ren, but next to nothing has been shown of the classic hero, Mark Hamill's Luke Skywalker (unless you believe the person with R2-D2 is actually Luke). 

Little tidbits like this have kept fans happy but everything associated with J.J. Abrams' journey has been aimed at cultivating an shroud of mystery and anticipation to keep fans, podcasters, and fansite operators guessing about the world we'll find in the galaxy far, far, away after thirty years. The new footage finally connects a few dots, but leaves a lot left unanswered. This might be better for fans until they settle into their seats on December 18. 

The preview made its debut in prime time during ESPN's Monday Night Football game between the New York Giants and the Philadelphia Eagles. I love football but this preview was the only reason I watched the first half.

The announcement of pre-sale tickets for The Force Awakens has already crashed online retailer websites such as Fandango, MovieTickets.com, Regal Cinemas, and AMC Cinemas. I think everyone has let the Force in. 

Matt Damon gets lost in space and is awesome in 'The Martian'

Ridley Scott's The Martian is more than another endeavor to save Matt Damon (seriously, Saving Private Ryan and Interstellar? How many times must America go out to save Matt Damon?). It is way more than that. Scott's sci-fi adventure is the kind of film that you leave the theater and long to tell your friends to spend their money and see. Like Apollo 13 and Gravity before it, this film turns to actual science and problem solving into an edge-of-your-seat experience for the audience.

First, let's address the biggest problem and the premise of the film: The crew of NASA' Ares III mission is collecting samples on Earth's red neighboring planet when a violent sandstorm whips through, ending the mission prematurely. In the zero visibility disorder, Damon's Watney is presumed dead after an incident. His team, led by Commander Lewis (Jessica Chastain) evacuates and heads back to Earth. But Watney isn't dead. He is roughed up in the wake of the storm and is 140 million miles away from home. Once Watney is settled, he discovers his team left behind provisions enough to last a few months. This doesn't sound too bad until we're told by NASA officials (Jeff Daniels and Chiwetel Ejiofor) that the next manned Mars mission isn't for another four years, even a rescue party would take that long to mobilize. Watney knows this and figures that he is living with a death sentence unless he can use his wits and his botany powers to turn the lifeless planet into a makeshift Garden of Eden with water and food.

To quote Watney, "I'm going to have to science the s*** out of this."

There have been a lot of books and movies about Mars and people being stranded on the Red Planet. But The Martian, based on Andy Weir's best-selling novel and the screenplay by Drew Goddard, is the first film that actually made you feel what it's like to be stranded there, especially if you saw this movie in 3-D but also his very own charismatic Robinson Crusoe, Damon. Damon's performance was captivating and entertaining, single-handedly turning an epic survival tale into something intimate and human. It really does make you believe in the perseverance of the human spirit. From documenting Watney's confessional video diary monologues about hexadecimals and thermodynamics to growing potatoes and bashing terrible disco music, Damon seems to enjoy peddling pathos and punchlines for the audience to enjoy.

The Martian isn't completely perfect. Outside of the Ares III crew, NASA's officials, and the band of engineering elves, there are too many secondary characters. Kristen Wiig, as a NASA functionary, just stands around, looking concerned along with taking orders from Daniels, and Donald Glover's socially awkward physicist is like the long lost member of The Big Bang Theory crew. Scott's ending is corny, tying everything neatly in a bow for the characters but considering the events of the film, I don't have a big issue with this. But it would be rude to point out small flaws in a film that is a thrilling testament to the human spirit and ingenuity. It's a rare blockbuster that has the brains to match its power.

This film will definitely be in my Top 10 at the end of the year.